I was very excited to receive my copy of the first edition of The Happy Reader in the post recently. The magazine is a joint enterprise between Penguin and Fantastic Man to celebrate the luxuries embodied by print and the art of reading itself. They promise that each issue with feature a lengthy interview with a famous reader, whether they are primarily known for reading or not, followed by an in depth exploration of a classic book, in this case The Woman in White by Wilkie Collins. They have had a very strong start with an interview with actor and Booker prize judge Dan Stevens which meanders over studying literature, reading to children and not least starring in a range of literary adaptations. This is all accompanied by black and white photos of the man himself to make the experience even more luxurious. At times it felt that unnecessary amounts of detail were reported in the interview, such as discussions with a waitress regarding a glass of water, but overall it was very interesting to read about how Stevens approached reading around 140 books when judging the Booker prize whilst still being on set for Downton Abbey – apparently his Kindle was never far from his hand. The interview ended with several recommendations from Stevens and it has prompted me to search out Of Walking in Ice by Werner Herzog which sounds fascinating and heartbreaking.
The Woman in White is a book which I have read many times and so know the twists and turns of the Victorian Gothic plot inside out. The opening scene where Walter Hartright glimpses a woman dressed solely in white in the dead of night on Hampstead Heath sets the tone for unexplained and unnerving events throughout the book which does not let up or disappoint. It involves an evil count, one frail invalid with a fiercely devoted sister and a dastardly plot to steal an inheritance which Hartright stumbles upon when he takes a new job as a drawing master. The Happy Reader takes this intricate tale of love, betrayal and deception and produces fashion pages, recipes and recommendations for walks alongside reminiscing around the book itself and pieces on its history and genre. I particularly enjoyed the article on the links between the colour of a character’s clothes and their identity in film and literature. Emily King suggests that single-coloured outfits pigeon-hole women as either saint, whore or crazy while men are allowed to reveal more of their identity through their clothes.
There is a great feel to the The Happy Reader and it really does make its reader appreciate the print form, with its thick pages and accompanying book marks. It also has lovely wide margins which are occasionally filled with an informative or whimsical side note, ranging from the timetable of a Brooklyn Ferry to information about Peter Capaldi or fan fiction. The magazine plans to produce a new issue every quarter and they have already announced that the next book to be featured is The Book of Tea by Kakuzo Okakuro. I’m already looking forward to the next issue and will definitely track down a copy of The Book of Tea to ensure I am ready for The Happy Reader‘s arrival. I’ll also be looking out to see if I can spot any other readers preparing and reading the book! At the moment they are doing some great deals on their subscriptions so if you’re likely to be interested I’d definitely recommend investigating the opportunities as The Happy Reader is likely to become popular fast.
If Charles Dickens had been alive in the 21st century I think he is unlikely to have been a novelist but would have been entranced by the possibilities of the screen. The meandering plots of his hefty novels transform easily into TV miniseries and each episode can use the cliffhangers which Dickens tantalised his audiences with. Dombey and Son, published between 1846 and 1848, is no exception to this and its lengthy overarching plots would be worthy of an HBO drama. The story begins in Dickens’ conventional bildungsroman style, as the eponymous son, Paul, is born and struggles through the first years of his life under the weight of his father’s expectations. However, it soon becomes clear that the story cannot remain solely Paul Dombey’s as Dickens includes increasing detailed accounts of the lives of those who surround the little boy. Florence Dombey, Mr Dombey’s elder child, might be ignored by her father but the reader watches her every disappointment and how her young hopes struggle on.
As with all of Dickens’ novels Dombey and Son is awash with eccentric characters and unlikely friendships. Nevertheless no matter how ridiculous an individual might seem the reader quickly comes to know, understand and sympathise with them as Dickens demonstrates that similar worries are experienced throughout social classes and across England.Throughout this cast of characters there are very few who are portrayed as irredeemably evil since there is always an understandable motivation or foible. Mr Dombey’s concern regarding his rank and the standing of his house is not so very different from the boasting of a proud mother or a young man’s nervous entry into the adult world. It is only Mr Carker, the right hand man of Dombey’s business, who becomes even harder to like as aspects of his personality and past are revealed to the reader throughout the novel. In this character I was reminded strongly of Uriah Heep of David Copperfield and I wonder if Charles Dickens had a particular reason for such a strong dislike of stewards and managers.
Although I felt that the book took a while to engage me due to the apparent lack of plot direction this later grew to be a strength. It was completely impossible to predict whether the narrative would twist or forgotten characters would rear their heads again. I’ve struggled to summarise what happens throughout the book as it is so concerned with social situations and conversations that ultimately there is rarely great action scenes. Instead there is shock as Mr Dombey’s fate is decided by a manipulative beggar woman and despair as social pressures force a range of characters to act against their will. They are trapped in their gilded world and it soon becomes apparent that money can be worth very little when love, whether familial or spousal, is not present.
These contemporary illustrations for Dombey and Son perfectly capture the scenes and characters they depict. I was reminded of forgotten moments and characters were exactly how I had imagined them. The characters seem so wrapped up in their worries, and in Mr Dombey’s case self importance, that is difficult to believe that this is a drawing rather than a snapshot of real people living their real lives.
Dombey and Son might not be the best Dickens book to read first as there is less obvious momentum to the storyline to help keep you glued to the 900+ pages but it contains some of my favourite Dickensian characters. As a small example of such favourites; Miss Tox, a lonely spinister, unexpectedly grows in the reader’s estimation throughout the novel as changes from a cruel, small-minded sidekick to someone with ambitious, and unreachable dreams of her own. Captain Cuttle initially seems a ridiculous figure of fun but he clearly cares deeply for the younger characters as they face the everyday dangers of life. The pride of Edith Granger made her both tragic and fascinating as I felt the anger over her powerless position still resonate today. Of course, I also cannot finish this post without mentioning Diogenes the dog who acts exactly like a dog should and clearly enjoys being Florence Dombey’s pampered and beloved mongrel.