Favourite Piece from ‘Goya: The Portraits’

Sometimes exhibitions don’t particularly take your breath away but there are still pieces which stand out. I have realised that, while I was not overwhelmed by the recent exhibition of Goya’s portrait paintings at the National Gallery, there was one painting which I have continued to think about. Therefore, I thought I would share it here although the exhibition ended last month.

1400-goya-self-portrait-before-an-easel-c1792

This is one of the few self-portraits which was included in the exhibition and depicts Goya wearing his candle-holder hat, of his own design. This allowed him to paint in a greater variety of lights and not be so dependent on natural light for his sittings. I was intrigued by the mechanics (and dangers!) of such a hat and wished that they had a copy of it for reference. Would the candle wax have dripped on to his clothes or face? Was there ever the possibility that the painting could be damage by smoke or fire if Goya leant too close to his work? He looks out of the painting with great confidence and is clearly dressing to impress the viewer, with a flamboyant jacket with red and gold trimming and therefore holds his hat to the same expectations. Some of the other portraits were overwhelmed by the finery of their dress or had very guarded expressions so their eyes stared blankly from the canvases. This portrait gave one of the best senses of the character and personality of its subject, with the background of the studio portrayed in very minimal detail.

From now on when I see a Goya portrait I will always have this image of him in my head, the inventive and showman artist, which is probably exactly what he intended as he painted this portrait.

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