Every year the Taylor Wessing Photographic Portrait Prize opens countless windows into lives across the globe at the National Portrait Gallery. The prize is open to all photographers and can be of anyone, famous or not, that the photographer believes should be noticed and recorded. This leads to the faces of politicians, grandmothers, teachers, children and soldiers all staring out into the same gallery space.
This profusion of human faces makes it almost impossible to compare one image against another. Some photographers simply present human life, with its joyous highs and miserable lows, through focused portraits of individual faces for the viewer to aesthetically appreciate whilst others use their subject as an explanation of a wider context. An Afghan girl holding a skateboard suggests a great deal more than an interesting hobby and the soldier standing in rubble is only a small image of a larger picture. This range of motivations behind the portraits inevitably leads to the question of what a portrait should aim to achieve. Is capturing the essence of your subject the most important goal or should there be more material information about their surroundings for the viewer to contextualise? Interestingly the judges chose photographs from both categories to award prizes to with the aesthetically pleasing Konrad Lars Hastings Titlow by David Titlow being given first place. In this image the composition of the light and the almost Old Master depiction of the subjects elevates the photograph above the status of a casual family snapshot.
The exhibition is open until February and is an excellent place to realise that although the world can feel small there is unimaginable and amazing variety even within our own human race.